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"The Wide-Angle Challenge in Modern Cinematography
Wide-angle lenses often compromise between distortion control and optical character, forcing filmmakers to choose between technical precision and artistic flair. Standard 18mm optics frequently exhibit chromatic aberration in high-contrast scenarios and lack the nuanced fall-off that creates dimensional depth.
Optical Engineering Meets Cinematic Heritage
The Cooke SP3 18mm T2.4 resolves these limitations through:
Full-frame coverage optimized for 43.3mm sensors, maintaining sharpness across Sony A7IV, FX3, and FX6 imaging planes
Interchangeable mount system (E/RF/L/M) enabling multi-platform compatibility without optical degradation
T2.4-T16 aperture range with 9-blade iris for smooth bokeh transitions
Dual non-linear focus scales (feet/meters) offering precise manual control down to 0.8m MOD"
"The Wide-Angle Challenge in Modern Cinematography
Wide-angle lenses often compromise between distortion control and optical character, forcing filmmakers to choose between technical precision and artistic flair. Standard 18mm optics frequently exhibit chromatic aberration in high-contrast scenarios and lack the nuanced fall-off that creates dimensional depth.
Optical Engineering Meets Cinematic Heritage
The Cooke SP3 18mm T2.4 resolves these limitations through:
Full-frame coverage optimized for 43.3mm sensors, maintaining sharpness across Sony A7IV, FX3, and FX6 imaging planes
Interchangeable mount system (E/RF/L/M) enabling multi-platform compatibility without optical degradation
T2.4-T16 aperture range with 9-blade iris for smooth bokeh transitions
Dual non-linear focus scales (feet/meters) offering precise manual control down to 0.8m MOD"